에 의해 게시 에 의해 게시 Arcade Ltd
1. diences to far-flung corners of the globe in a dizzyingly rapid-fire sequence of scenes.
2. century, theatre offered audiences the pleasures of vicarious travel.
3. nology allows you to experience these sets at their true scale.
4. and sustaining the fantasy of British supremacy, racially and culturally.
5. He was taken by Polynesia to London by Captain Cook in 1774.
6. a celebrity and curiosity – an example of a ‘noble savage’.
7. House) in December 1785.
8. Then, as now, pantomime was associated especially with Christmas.
9. pher of his day.
10. cific.
또는 아래 가이드를 따라 PC에서 사용하십시오. :
PC 버전 선택:
소프트웨어 설치 요구 사항:
직접 다운로드 가능합니다. 아래 다운로드 :
설치 한 에뮬레이터 애플리케이션을 열고 검색 창을 찾으십시오. 일단 찾았 으면 A Stage in Time 검색 막대에서 검색을 누릅니다. 클릭 A Stage in Time응용 프로그램 아이콘. 의 창 A Stage in Time Play 스토어 또는 앱 스토어의 스토어가 열리면 에뮬레이터 애플리케이션에 스토어가 표시됩니다. Install 버튼을 누르면 iPhone 또는 Android 기기 에서처럼 애플리케이션이 다운로드되기 시작합니다. 이제 우리는 모두 끝났습니다.
"모든 앱 "아이콘이 표시됩니다.
클릭하면 설치된 모든 응용 프로그램이 포함 된 페이지로 이동합니다.
당신은 아이콘을 클릭하십시오. 그것을 클릭하고 응용 프로그램 사용을 시작하십시오.
다운로드 A Stage in Time Mac OS의 경우 (Apple)
다운로드 | 개발자 | 리뷰 | 평점 |
---|---|---|---|
Free Mac OS의 경우 | Arcade Ltd | 0 | 1 |
This app lets you to step into the scenery of one of the late 18th century’s most spectacular and suc- cessful pantomimes. Using three maquettes held by the Victoria & Albert Museum, the magic of augmented reality tech- nology allows you to experience these sets at their true scale. The pantomime Omai, or A Trip Around the World was written by John O’Keeffe, with its scenery designed by Philip James de Loutherbourg, a Swiss artist who was the most innovative scenogra- pher of his day. It premiered at Covent Garden Theatre (on the site of what is now the Royal Opera House) in December 1785. Then, as now, pantomime was associated especially with Christmas. As is suggested by the pantomime’s subtitle – A Trip Around the World – it sought to transport au- diences to far-flung corners of the globe in a dizzyingly rapid-fire sequence of scenes. In the 18th century, theatre offered audiences the pleasures of vicarious travel. But this was also a period of empire, and the British stage was a powerful mechanism in creating and sustaining the fantasy of British supremacy, racially and culturally. The titular protagonist of Omai is based on a real person: Mai, a man from Ra'iatea in the South Pa- cific. He was taken by Polynesia to London by Captain Cook in 1774. Once in Britain, Mai became a celebrity and curiosity – an example of a ‘noble savage’.
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